Venika’s music sounds exactly like a slow afternoon in Rio de Janeiro. Raised between the beaches of Ipanema and vintage jazz records played by her grandfather, she has deeply internalized the relaxed, swaying rhythm of authentic Bossa Nova. Armed with a nylon guitar, her approach to music is effortlessly natural never rushed, never overproduced, and completely stripped of modern anxiety. Listening to Venika feels like sharing a quiet, unpretentious conversation in an open-air café as the ocean breeze rolls in.
Marthes
Handy Marthes translates the quiet elegance of Asian heritage into modern orchestral arrangements. There is a…



